Pondering the Type Sampler
Between the studio tour weekends in late September, I set type in a fairly random fashion on a large poster of types sampled from the drawers in the studio.
You may even be able to see red correction marks indicating just some of the many sins contained within. However, it is dramatic, measuring approx. 16 x 22 in. That, for a press that has absolutely no wood type and just marginal amounts of mid-range lead type in large sizes. It works on the premise that many small letters can conspire to make a larger statement. It also seems to embody my own rather scattered focus and schedule.
Now, with Christmas nearly upon us, and feeling an urgent need to produce some kind of seasonal greeting on the press, I have to decide: a) dis the type and keep the proof as a plan for a future effort; b) break up the type onto composing trays and reassemble it on the press later; or c) clean up the obvious errors, make some quick fixes and print off 50 or a 100, then get down to Christmas obligations. What to do, what to do… As you can see, I chose to print!
You may even be able to see red correction marks indicating just some of the many sins contained within. However, it is dramatic, measuring approx. 16 x 22 in. That, for a press that has absolutely no wood type and just marginal amounts of mid-range lead type in large sizes. It works on the premise that many small letters can conspire to make a larger statement. It also seems to embody my own rather scattered focus and schedule.
Now, with Christmas nearly upon us, and feeling an urgent need to produce some kind of seasonal greeting on the press, I have to decide: a) dis the type and keep the proof as a plan for a future effort; b) break up the type onto composing trays and reassemble it on the press later; or c) clean up the obvious errors, make some quick fixes and print off 50 or a 100, then get down to Christmas obligations. What to do, what to do… As you can see, I chose to print!